Italie

mardi 6 décembre 2016

Double vue

Bomarzo, texte de Gilles Polizzi, photographies de François Sagnes, est un livre (Créaphis Éditions) dont on peut dire qu’il nous permet de faire de manière indirectement directe une expérience de double vue, comme si la doublure et la vue s’étaient données rendez-vous devant nous dans ces pages pour une rencontre inédite dont nous sommes et les auteurs et les otages. Le Jardin de Bomarzo, L’Approche Photographique de et par François Sagnes poursuit cette réflexion sur image, paysage et jardin.

par François Sagnes , Gilles Polizzi et Jean-Louis Poitevin

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Saturday 5 November 2016

The Eternal Recurrence of Two Domes

In Paris, which is home to one of the largest Armenian communities outside of Armenia, the Armenian Apostolic Church is represented in an imposing building. In the 8th arrondissement, just a few meters from the Seine and a few more from the Eiffel Tower, is the Cathedral St. Jean-Baptiste.

by Claudio Gobbi et Sophie Jung

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sabato 5 novembre 2016

L’eterno ritorno di due cupole

A Parigi, dove vive una delle più numerose comunità armene fuori dall’Armenia, la chiesa apostolica si presenta con un edificio imponente. La cattedrale di Saint Jean Baptiste sorge nell’ottavo arrondissement, a pochi metri dalla Senna e non lontano dalla torre Eiffel.

di Claudio Gobbi et Sophie Jung

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giovedì 30 giugno 2016

Rendez-vous en Europe

The aesthetic and scientific problem of ’vision’, understood as the possibility of thinking images, arises in the nineteenth century.

di Carla Rossetti , Ciro Vitale et Pier Paolo Patti

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Thursday 30 June 2016

Appointement in Europe

The aesthetic and scientific problem of ’vision’, understood as the possibility of thinking images, arises in the nineteenth century.

by Carla Rossetti , Ciro Vitale et Pier Paolo Patti

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domenica 30 agosto 2015

Alchimie Sensibili

«Riflettere autenticamente significa darsi a se stesso, non come una soggettività oziosa e recondita, ma come ciò che si identifica con la mia presenza al mondo […] Io sono come mi vedo, un campo intersoggettivo, non malgrado il mio corpo e la mia storia, ma perché io sono questo corpo e questa situazione storica per mezzo di essi» (Maurice Merleau-Ponty)

di Francesca Capasso et Raffaella Barbato

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Sunday 30 August 2015

Sensitive alchemies

“True reflection presents me to myself not as idle and inaccessible subjectivity, but as identical with my presence in the world and to others, as I am now realizing it: I am all that I see, I am an intersubjective field, not despite my body and historical situation, but, on the contrary, by being this body and this situation, and though them, all the rest.” (Maurice Merleau-Ponty)

by Francesca Capasso et Raffaella Barbato

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lundi 25 mai 2015

La signification suspendue

On oublie souvent que les photographies sont hantées par des voix, parce qu’elles ont à voir avec l’autre côté du vivant, avec les fantômes, avec l’oubli, avec l’absorption difficultueuse de l’altérité dans la chair putrescible qui ne cesse de clamer son innocence.

par François Sagnes et Jean-Louis Poitevin

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Sunday 21 December 2014

Between objectivity and wonder

The last appointment with Las Italias is starring Paolo Parisi. His research, his works, the approach to the view - we may say the perception of the world - have focused almost obsessively on painting. Yet, to understand them thoroughly, we must ask ourselves questions about the terms of the existence and the contemporary purpose of painting.

by Paolo Parisi et Susanna Crispino

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