Chinatown

The distance of this view to her finds its correspondence in the spatial conditions of the installation and is at the same time the structuring principle of the scene : The space surrounding her is broken, every shot forms a new backdrop, the film clip is nothing less than the border of the subjective experience of space, which the location can not grasp as a unity - too disparate in the architectonic figures ; the individual constructions in conflict with other over competing demands, an insignificant turn of the head determines whether the view can establish a perspective or if it will be irritated by a skyscraper in provisional dimensions.

Within the polished backdrop of the sprawling metropolis, the women watering her plants is a point of reference, her gestures, however, are no less complex superficial phenomena. The installation produces for the viewer the same conflicts and virtualities that determine the film scene.